This is a continuation from previous sections aiming to educate on the precise depiction of human figures. It discusses necessary techniques and tools for achieving accurate proportions, suggesting methods to replicate Italian Masters' accuracy. The text stresses the importance of careful painting to achieve realistic models using various tools and measurements.
THE FOURTH PART
From the light of Drawing and Painting, in which it is discussed how to depict various figures and to paint them with different materials: To the Reader.
I shall now share my thoughts in my second and third parts regarding the shapes and proportions of the naked human figures. There has been enough said about the training of the students in sacred art.
I also considered it necessary to briefly describe how to paint and represent a figure without missing the key points. This will aid in understanding how the measurements should be covered. Hence, I shall now discuss the tools and methods required to achieve successful proportions, whether it is with clothing or against the backdrop of natural settings.
The Use of Leeman,
While a live model poses, it is possible to avoid much effort by using the proper techniques of Italian Masters and thus achieve a more accurate depiction. By positioning a wooden figure in the place of a living model one can practice effectively using points and lines to draw accurately. This document describes various methods as represented by parts A, B, C.
The Rules,
If someone wants to practice painting, it is advised to begin with a simple stretcher. It is suggested to use certain materials to sketch accurately and clearly. It is important to paint with great care to ensure the most realistic depiction possible.
It is useful to use paper or other suitable materials and to master the fine art of blending colors. Specific considerations should be made on how lines and shades serve as a basis for realistic figures. Proper attention should be given to the texture and shape, making sure to measure correctly to beauty the work.