On the Art of Drawing

Representation

From the School of Drawing.

Giovanni Amatori mentions that the art of painting and drawing was held in high regard by the Greeks and Romans. Despite the decline over the centuries and invasions by barbarian peoples causing them to decline, the lessons of Florentine painters have been revived in the twelfth century by GiovanGentilshomme Cimaufè. Drawing on natural talent and instruction from Greek painters, he focused on emphasizing clear and uniform motifs. In the past, artists did not pay much attention to proportions and measurements, which today are emphasized to achieve beauty and harmony, following in the steps of masters like Michelangelo and Raphael.

Amatori also discusses deviations and systems of schools of thought in art that degrade the authentic representation of the world, emphasizing the necessity of accurate modelling and shading techniques. He advises preventing shadow distortions and stresses the importance of framework and structure, which artists often sketch out first using practices borne from decades of experience. Amatori criticizes inadequate methodologies and underscores the value of direct observation and practice.

The text goes on to suggest that careful observation and emulation can lead to improved skills and imitation of ancient works, allowing for enhanced artistic representation. Amatori highlights the importance of not overwhelming or constricting the model’s natural posture, focusing instead on observing natural life's nuances and dynamics, striking a balance between structured technique and observed experience. His guidance reflects a deep reverence for classical art forms and techniques.

Translation Notes: Amatori frequently refers to classical antiquity, making comparisons to both Greek and Roman styles while urging modern artists to learn from these traditions to improve their techniques and representations.