TABLE OF CONTENTS

Man how he seeks his balance. 251

Man whether he is stronger in pulling with the hands and arms than pushing them. 263

Man from what he dies. 339

Humans, due to similar encounters, have various outcomes and passions. 55

How to determine the general length of people's bodies. 58

Why some people become taller than others. 81

Humans of their own feet learn enough that one must create statues of 10 heads. 86

People measured in their deficiencies according to the nature of animals. 192, 194

People have many means and preparations in movement. 274

How many bones the human body has. 379

Human studies are of utmost benefit to painters. 1

Human studies have made only the old painters famous. 3

Human studies of whom are rejected. 3

Thorough understanding of human studies does not disadvantage painting. 5

How human studies, once declined, can sometimes be aided. 7

Fashion in painting sometimes arises, how properly abandoned. 7

Fashion in clothing should not be generally followed. 29

Mouth her Maxel and Service. 131

Mouth as found as the glasses of the secret. 131

Small mouths suit women and not men. 132

Mouth and lips appropriate for the actions in speech. 330

The mouth has, according to its conditions, great significance for human nature. 132

Muscles as they must be understood. 9, 11

Muscles oblige the painter to understand their variability thoroughly. 10

Muscles differ in their operation. 11

Muscles, without showing their own functions, merely let the epidermis of the figures be seen. 14

Muscles can never all work alike. 396

Muscles as they are in and outside their operation. 393

Muscles described in their place and function. 392

Muscles how they are of Maxel. 394, 400

Muscles in their maxel and movement mathematically described. 400

Muscles how and where they should be shown to truly make the figures. 406