This page analyzes the beauty and technical aspects of an antique satyr figure and an Egyptian figure, emphasizing the importance of studying these forms for refining drawing skills. The satyr is noted for its artistic treatment, while the Egyptian figure highlights a Greek imitation of Egyptian styles. Despite some stiffness due to material challenges, both figures are commended for their detailed and admirable anatomy.
Drawing.
The truths and the softness of flesh visible in the rendering of this woman's back are admirable. This figure is one of those whose study is most important for the refinement and correction of drawing.
Antique Satyr. Plate 78, Figure 1.
One can see in the Antique Satyr, located in the Ludovisi Villa, a nature different from those previously discussed, as explained in the preceding Plates: this figure has its beauties and is treated with much art.
The Egyptian, Antique Figure. Plate 78, Figure 1.
This figure, visible in the Capitol, was discovered a few years ago in the Adriane City. It appears to be a Greek Antique, in terms of the choice of posture and hairstyle, in imitation of Egyptian Figures, of which a considerable number are preserved in the same location. It is true that among the many Egyptian figures seen in the Capitol, there are several that have little merit other than their antiquity and the difficulty of the work: for most are made of touchstone or the hardest marble. This imitation seems even to have imparted a bit of stiffness in the posture of the figure, although this posture is still quite possible, especially in a man carrying a stretcher. Otherwise, it is an admirable piece, with a strong and characterized nature, a large and open chest, beautiful thighs, and correct, muscular legs of good choice.