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Page Summary:
This page introduces the third and final part of a drawing guide, addressing longstanding issues in the art of drafting, such as shading and drapery techniques. The author aims to provide useful guidance while avoiding unnecessary errors and respecting traditional methods. Emphasis is placed on repeated practice and the application of necessary skills for improvement.
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English Translation of this page:

Necessary Report and Instruction for the Use of this Last Part.

This is the third and final part of the guide to drawing art that I have just published, which aims to address long-standing issues and shortcomings; however, I had many obstacles that delayed its release. I hope to not only provide methods that address these challenges, respecting traditional drafts while avoiding any unnecessary errors: thus, I strive to ensure that this last part is useful, so it can offer beneficial guidance; yet, not solely to provide full development in shading and light, but also markings or so-called draperies can be completed. Thus, it is my intention with this current work, and equally to conclude with the necessary rules that your designs in this art need, respecting common practices, or avoid unnecessary detours from the goal.

Before I proceed and give the necessary clarifications for the true use of this part, I should remind that the principles regarding the drawing of shadows and light, as well as draperies; can be anticipated and should lay very few obstacles. Presumably, this is likely due to reasons that I intend to disclose in this part of the drawing art; focusing more on practice and setting boundaries, as the theory is of great importance, as is necessary for practical exercise. Repeated practice must often be re-enacted; resulting in certain skills to be achieved, which a skillful artist may indeed acquire. I would thus suggest that those who may find themselves deceived, understand what this requires and also apply the necessary skills to improve themselves.