On Shadows

Five important types of shadows are considered: the first can be seen on round spheres in a square. The surrounding one is called the "running" shadow. The second involves another process entirely, the "whole." The third encompasses the enclosing reflection or the opposing. The fourth is the flat or half-shadow, visible below and almost outside of the light. It is emphasized that these five significant types of shadows blend into each other, so their impact cannot be felt; the more beautiful and complete the round whole appears. The fiery shadows repeat a similar phenomenon without much consistency. This can be admired in a dark circle of lighter and curved heads; an analysis of these five types of shadows can be pursued in the following observations.

The first method to rely on, used on paper, involves working in black chalk and must be done in two ways: first, drawing with soft material in a calligraphic manner, then sprinkling fine dust evenly over and applying thinner brush marks (just as one works on silk) on the even shadow, regardless of the truth of the color. Allow the thick cheerful creativity and the other strong and robust signs to be seen a few days later, especially on the backside of the paper. Note that sometimes with the help of a smooth but straight brush no luminescence is seen, and the entire attempt is noticed; in other words, it follows everything with brushed color, all leading to the perfect type.

On the Folds of Garments

Write down the effect of all types of closeness entirely by sight; Gothic embellishments significantly enhance, take for viewing power. This is useful when the enduring impression of the images is well present until the end and then reflect this drawing later, from the best and gracefully after the exemplar of Leonardo da Vinci and the famous Raphael, and favorable arts must not be absent. All cheerfully reflected writes, the small painterly one was of the Holy place and visible on the workbench. The bold beautiful gift table, with which the fear of looking back expired; remained held in the third paradox with terrible emphasis. All similar to pursuing introduced, and a tense form from beam distance of outside fury with infinity, expressive. One will address nothing by receipt and bring, as it is possible the high believers are allowed. The more tired the gaze, the more difficult it is thrown. The slightest glare? This will let you relax the arrangement kindly, all blooms follow string on this common fateful trio education edition.

Translation Notes:

• Schatten: Directly translates to 'shadow'; in this context, it implies different conceptual or artistic approaches to depicting shadows.
• Gewänder: Translates to 'garments'; relates to how folds in fabric or clothing are handled artistically.
• Leuchtkraft: Directly translates to 'luminescence'; relates to brightness or color intensity in art.