The text discusses drawing techniques, recommending that parts of ancient figures be drawn separately before assembling them into a complete figure. Shading is emphasized to effectively capture the model's effect. Learning perspective is essential, with additional resources suggested for deeper understanding.
ON DRAWING.
united in the same animated subject.
Before drawing these ancient figures completely, it is good to draw the parts separately, such as heads, feet, hands, etc.; then the entire figure is done. To put it together, use the academy method, and shade following the model’s effect, comparing the shadow masses with the reflections and mid-tones. This study aims to prepare the student to draw from life and to know beautiful proportions and forms.
One draws from the bust as well as from life, in daylight or lamplight, with any pencil and on any paper deemed appropriate. Before starting this study from life, it is good to learn perspective. The principles are not provided in this summary, but they are well demonstrated and made accessible to artists in the book titled: Treatise on Perspective for the Use of Artists, according to the method of Mr. Sébastien le Clerc, by Mr. Jeaurat his grandson, in quarto, with many figures, at publisher Jombert.
Drawing from the Live Model.
Here, we recapitulate the knowledge the student must have acquired by studying perspective, anatomy, and ancient figures to make proper application.
Perspective is absolutely necessary for the young
Translation Notes:
Academy Method: Refers to traditional academic practices in art teaching.
Drawing from the Bust: "La bosse" implies drawing from a sculpture bust, a common practice in art study.