The text discusses the importance of understanding anatomy and nature for artists, emphasizing that true imitation comes from studying nature. It suggests young artists consult the designs of great Masters and highlights landscape drawing as a key part of artistic practice. The passage concludes by asserting that art is about seeing nature as it truly is.
Principles
that are more commonly linked with the ordinary actions of men, or with the subjects he frequently has the occasion to treat. For history painters, it is common to represent horses: there is, however, much to be desired in this regard in the works of even the most skilled; therefore, it is desirable that young artists learn early to understand anatomy well. One can also consult the designs of the best Masters on this subject; but if one desires superiority in the particular genre of animals, one should do nothing but after nature: only it can lead to a true imitation, which is the goal of art. All that is done from practice deceives only at first glance; and whatever seductive charm it may present, without truth it cannot satisfy the true connoisseur.
Landscape also forms an essential part of the art of drawing. The freedom that indeterminate forms provide might lead one to believe that the study of nature is less necessary for this part; however, it is so easy to distinguish in a painting a scene taken from nature, from one composed only of imagination, that one cannot dispute the degree of perfection that this truth adds, which feels so strong. Moreover, no matter how fertile an artist's imagination, it is very difficult not to repeat oneself if one does not resort to nature, which is an inexhaustible source of variety. Draperies, flowers, fruits, everything must be drawn, as much as possible, from the natural.
Ultimately, art consists of seeing nature as it is, &
Translation Notes
The term "les desseins des meilleurs Maîtres" can be interpreted as "the designs of the best Masters," which refers to studying and emulating the works of highly skilled artists. "Draperies, les fleurs, les fruits" translates to "draperies, flowers, fruits," highlighting the importance of these elements in drawing. "Dessiné, autant qu’il est possible, sur le naturel" emphasizes drawing from natural sources.