Johann Daniel Preissler discusses the importance of imitating great artists like Raphael and Michelangelo and emphasizes the role of anatomical knowledge in achieving artistic success. He explains his efforts to provide artists with supplemental instructional tables to enrich their understanding of anatomy, inspired by Carlo Cesio's work. Preissler hopes that these efforts are recognized as solely for advancing art without personal gain.
This page discusses the pursuit of imitating great masters of art and how individuals such as Raphael, Michelangelo, and the Carracci have set examples in emulating nature, which led to their acclaim. The text suggests that understanding anatomy has been crucial for this success. The author, Johann Daniel Preissler, explains his own efforts, starting from 1706, to disseminate knowledge about anatomy for artists, referencing an Italian book by Carlo Cesio called 'Anatomia de’ Pittori'. The work involved creating accurate copper engravings with the help of Hieronymus Böhlmann. The earlier edition of these works found an audience, leading to a new seventh edition to meet ongoing demand. The author hopes that enthusiasts who have used his instructions will appreciate the supplementary tables. He expresses a desire for artists to gain this understanding without any personal gain but purely for the truth and benefit of artistic practice.
Translation Notes: The term "Anatomische Erkenntnis" is translated as "understanding anatomy," referring to its foundational role in art during that period.
Nuremberg, March 14, 1743.
Johann Daniel Preissler.