Book Index | Study Drawing

Title	Image	Summary of text
Rubens - Human Figure - Page 150		The image contains minimal text, with only the identifiers "A" and "10." The primary focus is on the engraved illustrations of human ears, designed to study their anatomical features.
Rubens - Human Figure - Page 151
Rubens - Human Figure - Page 152		This is 'Plate XI' of the work, created by Lambert Boudon and engraved by Boquier. The plate is drawn from the Royal Collection, suggesting its prestigious and authoritative context.
Rubens - Human Figure - Page 153		This text is the title and attribution page for the second part of a drawing principles treatise. It mentions that the content is engraved according to the Royal Academy's standards and credits J.J. Pasquier as the author. The publication took place in Paris by the bookseller to the king, Jombert, Père.
Rubens - Human Figure - Page 154
Rubens - Human Figure - Page 155		The image contains engravings from Plate 11, with original design by an artist indicated as H. V., and engraving done by Ch. de Moelder. It illustrates different views of a hand, highlighting the anatomical intricacies. The focus is on showcasing artistic techniques in rendering the human figure.
Rubens - Human Figure - Page 156		The text is a label indicating this is "Marguette no. 13," a numbered illustration reference. It suggests this is part of a series of artistic studies or elements from the book. The numbering helps in identifying or cataloging the illustrations within the collection.
Rubens - Human Figure - Page 157		The text is a short annotation on the engraving, indicating it is based on a master painting. It reflects the practice of creating engravings from renowned artworks. This note adds context to the detailed anatomical illustration.
Rubens - Human Figure - Page 158		The text includes a letter 'B' and notes that the drawing was made by Ed. Boucherlen and the engraving was done by Hayev after C.P.R. The page is an artistic study of hands, reflecting the instructional nature of the book on human anatomy.
Rubens - Human Figure - Page 159		The text on the page indicates that the illustrations were drawn by Ed Bouchardon and published by Huquier. These engravings demonstrate detailed studies of human hands, showcasing their movement and gestures.
Rubens - Human Figure - Page 160		The text in the image includes a page number "B" and "20", along with attribution to the artist F.-L. Bouchardon, who drew the figures, and Huquier, who engraved them. The work was done at Charles Pierre Robert.
Rubens - Human Figure - Page 161		The image contains detailed artistic sketches of human hands and feet designed for studying human anatomy. These illustrations focus on the shapes and structures important for artists learning to draw human figures accurately. No translatable text was present, only detailed anatomical drawings.
Rubens - Human Figure - Page 162		The image features anatomical illustrations of human hands and feet, detailed with precision. They demonstrate the musculature and anatomical structure using cross-hatching techniques for shading and depth typical of 18th-century engravings.
Rubens - Human Figure - Page 163
Rubens - Human Figure - Page 164
Rubens - Human Figure - Page 165		This title page introduces the "First Book of Academy Figures," partially engraved by professors of the Royal Academy. It is dedicated to a high-ranking official, the Count of La Palice, and is presented by Huquier, the servant. The publication details indicate it was distributed by a bookseller of the King in Paris.
Rubens - Human Figure - Page 166		The text credits Colin de Vermont as the designer and engraver of the artwork. It highlights the artist’s role in creating the engraving.
Rubens - Human Figure - Page 167		The text identifies the artists involved in the creation of the engraving. C. Natoire drew the original design, C. Nicoleon engraved it, and Humphier executed it based on C.P.R.'s guidelines. These attributions illustrate the collaborative process in creating detailed anatomical studies.
Rubens - Human Figure - Page 168		The text credits C. Aveline and C.N. Cochin as engravers, with the work printed by Haquet from C.P.R. These are likely contributors to the engravings of the book from which this page is taken.
Rubens - Human Figure - Page 169		The text identifies the artist who drew the image as C. Natoire and mentions that it is created with the privilege of the King. It also indicates that this is part of a chapter involving sculpture and engraving work. The page likely belongs to a series of engravings focusing on human figures, their position, and anatomy in art.
Rubens - Human Figure - Page 170		The text includes the name 'Ed. Bouchardon' and mentions the royal privilege given to Huquier for sculpting and publishing. It indicates the involvement of notable individuals in the creation and distribution of the work.
Rubens - Human Figure - Page 171		The text on the page seems to identify the engaving artists associated with the work.
Rubens - Human Figure - Page 172		The text on the page indicates that the engraving was conceived by F. Boucher, executed by Huquier, and engraved by Aveline, junior. This information credits the artists involved in creating the illustration. The image showcases a depiction of the human figure according to the principles discussed by Peter Paul Rubens.
Rubens - Human Figure - Page 173		The text is a note indicating that someone named Natoire was responsible for drawing, engraving, and printing the image. This detail underscores the craftsmanship involved in producing the engraving.
Rubens - Human Figure - Page 174
Rubens - Human Figure - Page 175		The only text discernible on the page is 'By the privileges of the King', suggesting official sanction for the engraving. The main content is an image depicting a nude male figure in a dynamic pose, emphasizing human form and movement, part of an artistic anatomy study.
Rubens - Human Figure - Page 176		The illustration is labeled as Plate 36 and features an engraving that appears to study the anatomy of a male figure, which connects to concepts of body dynamics explored by Rubens. There is also a brief text in French that translates roughly to "Eight potatoes of concert - Veprics," which may refer to a specific artistic analogy or metaphor used historically. The visual emphasizes the interaction of muscle and form in static and dynamic poses.
Rubens - Human Figure - Page 177		The text introduces the 'Second Book of Academy Figures,' which includes engravings by the Royal Academy's professors. This suggests a collection educational in nature, likely for artists studying human figures.
Rubens - Human Figure - Page 178		The text identifies Collin de Vermont as the artist who designed and created the sculpture. It also notes that Huquier published the work under the initials C.P.R.
Rubens - Human Figure - Page 179		The text includes the letter 'B' and mentions individuals involved in the preparation and engraving of the artwork, such as "Chaste eves del" and "J. Peronneau Sculp." It also references "Haquion after C.P.R.," likely indicating the artist or engraver's source or inspiration. These notes are typical in historic engravings and denote authorship and artistic contribution.
Rubens - Human Figure - Page 180		The text contains annotations related to the illustration, crediting the artists and engravers involved. It mentions "C. Vanden del" and "Aveline, inv. Sculp," referring to the creators of the engraving. These notes accompany the artistic depiction, likely as part of the book's documentation approach.
Rubens - Human Figure - Page 181		This image credits Ed. Boucheraden as the artist of the illustration, with the work being endorsed by a royal privilege. The artwork is part of a series exploring human anatomy and form.
Rubens - Human Figure - Page 182		The image credits the drawing to C. Natoire and the engraving to Huguier, with the number '42' marked. It showcases a male figure, demonstrating principles of human figure drawing. The emphasis is on anatomical accuracy and dynamic pose, in keeping with the book's focus on figure study.
Rubens - Human Figure - Page 183		The text credits the design and sculpture to Bouchardon, Huquier, and Aveline. They were involved in the artistic process of this engraved plate. The work reflects a collaborative effort in capturing the human figure.
Rubens - Human Figure - Page 184		The text describes the creators of the artwork: C. Natoire designed and sculpted it while Buqouer executed it. The artwork appears to depict an almost nude male figure and is part of anatomical or artistic studies by Rubens.
Rubens - Human Figure - Page 185		The engraving depicts a dynamic and detailed anatomical study of a seated male figure engaged in pulling a cloth or rope. This image highlights the tension and definition of muscles, showcasing Rubens' expertise in human anatomy typical of the Baroque era. Surrounding elements suggest a classical theme, contributing to the overall artistic expression.
Rubens - Human Figure - Page 186		The text '40' is translated directly as '40', likely indicating a page or plate number from the book. The image is an illustration related to human anatomy and art, based on designs by Rubens. It's part of a series exploring human figures in art and movement.
Rubens - Human Figure - Page 187		The text mentions "With the privilege of the King," indicating that the engraving was authorized under royal privilege. The drawing is part of a study on the human figure by Peter Paul Rubens, focusing on anatomy in motion. This particular plate illustrates a dynamic pose with detailed anatomical precision.
Rubens - Human Figure - Page 188		The text indicates that this is Plate 48. The image illustrates a muscular male figure seated in a pose that highlights anatomical features, demonstrating principles of motion and rest.
Rubens - Human Figure - Page 189
Rubens - Human Figure - Page 190		The text consists mainly of captions for the images, identifying one of the engravers as C. Silvestre, who invented and engraved the scenes. Another artist, A. Schoharide, is credited with making one of the pieces. These captions suggest a collaborative effort in the creation of the artworks.
Rubens - Human Figure - Page 191
Rubens - Human Figure - Page 192		The image contains text labeled 'PHISICAE', which translates to 'Physics'. It accompanies a set of allegorical renderings reflecting scientific themes.
Rubens - Human Figure - Page 193		The image contains three detailed engravings from a historic book by Peter Paul Rubens. These plates illustrate allegorical figures, a military procession, and a poised arrangement of artillery, showcasing the artistic and thematic depth typical of 18th-century engraving. The scenes emphasize history, might, and artistic grandeur.
Rubens - Human Figure - Page 194		The text provides credits to artists involved in the creation of the depicted engravings. Le Pautre is mentioned as the creator of one of the illustrations, while Chartrand is credited for the other. These engravings are part of the work translated from Latin, highlighting historical scenes and objects.
Rubens - Human Figure - Page 195		There is no text on the page for summary. It contains only images.
Rubens - Human Figure - Page 196
Rubens - Human Figure - Page 197
Rubens - Human Figure - Page 198		The text notes that the drawing was created by someone named Nob. de Clerck. The page includes two engravings depicting scenes of military activity and equipment.
Rubens - Human Figure - Page 199		The page features two engravings: a military landscape and a decorative floral illustration. These images are likely part of a work by Peter Paul Rubens, showcasing his interest in both narrative scenes and detailed ornamental designs. The engravings highlight the artistic and engraving techniques of the 18th century.

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