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Rubens - Human Figure - Page 200 The image contains French text describing two engravings. The first engraving is of the Royal Military School, while the second depicts a scene labeled as a war or advancement of Spain. Some abbreviations and partial texts are included, which lack complete clarity in meaning.
Rubens - Human Figure - Page 201 The page features two illustrated scenes of dramatic explosions with people depicted in motion amidst the chaos. The top text references the lifting of a summer event or gathering, while the bottom text describes an explosive event from a bombardment mortar.
Rubens - Human Figure - Page 202 The text describes an engraving by Auxilliarie, depicting elements related to Virgil's Aeneid, specifically noting themes of war and fields. The accompanying images reflect classical themes and are emblematic of Rubens' artistic style.
Rubens - Human Figure - Page 203 The page contains engravings captioned with the artist's name, "ANIBAL CARACI INVENTED." The first image may be religious in nature, showing a woman, child, and angel, while the second depicts a contemplative man in a garden scene.
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The text identifies the engravings and credits "S.B." for creating the images and "B. Le Beau" for designing and engraving them. The images are illustrative of artistic techniques from the 18th century, reflecting the detailed work of the period.

Rubens - Human Figure - Page 205 The text identifies Bartholomeus Breenberg as a painter known for rural scenes. Two engravings show a portrait of Breenberg and an allegorical scene representing artistic themes.
Rubens - Human Figure - Page 206 This page contains two illustrations, one of a child and the other of several adults in an event or gathering. There is minor text in French indicating the illustrations are from Paris. The detailed images reflect artistic techniques from the late 1700s.
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Rubens - Human Figure - Page 208 A small illustration contains a Latin inscription suggesting the progression from clever childhood to serious adulthood.
Rubens - Human Figure - Page 209 The text describes a portrait of Bartolome Breemberg, a painter born in Utrecht in 1620 and who died in 1660. It mentions the engraving was made by A. Diepen and includes a Latin phrase translating to "I return life to the dead." The page provides historical context and artistry through its elegant presentation.
Rubens - Human Figure - Page 210 The Latin phrase translates to expressing the wonder of unveiling truth through reason. The text accompanies artistic engravings, likely emphasizing the theme of uncovering hidden truths in art and mythological narratives.
Rubens - Human Figure - Page 211 The text under the second image states that it is titled "Bacchus and Erigone" and was engraved by P. Aveline from a design by S. Le Clerc. The image appears to depict a classical mythological scene.
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The engraving depicts Tobias overseeing the burial of dead individuals. It suggests a biblical or historical narrative, with a focus on the act of burying the deceased.

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Rubens - Human Figure - Page 214 The text on the page features the names of two artists: Annibale Carracci and Salvator Rosa. These names are inscribed beneath their respective engraved portraits. The page overall presents detailed historical portrayals of significant figures in the art world.
Rubens - Human Figure - Page 215 The text on the page simply indicates "Page 75." The primary focus is on the three illustrative engravings present on the page. These images likely align with Peter Paul Rubens' artistic theories and designs.
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Rubens - Human Figure - Page 217 The text describes two views of the Palace of Versailles. The first is a general view, while the second focuses on the courtyard side. Both highlight the architectural grandeur of the palace.
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Rubens - Human Figure - Page 220 The Latin phrase 'SOL MOVET UNDE LUCET' translates to 'The Sun Moves from Where it Shines,' likely reflecting a philosophical or astronomical idea. The page also contains two engraved images depicting a classical scene and a decorated motto.
Rubens - Human Figure - Page 221 The text on the page is a simple caption "View of Boferez," which accompanies a pastoral landscape depicted in the engraving.
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Rubens - Human Figure - Page 225 The image features two artworks. The first is a landscape by Johan van Goyen, elegantly crafted and engraved by Johann de Visscher, showcasing charming natural scenery. The second is a sequence of landscapes invented and engraved by J. Aveline.
Rubens - Human Figure - Page 226 The text credits I. van Goyen as the inventor and I. de Vischer as the maker of the engravings. These are likely artistic attributions. The engravings are part of an art book featuring historic compositions.
Rubens - Human Figure - Page 227 The text in the image indicates that I. van Goyen is credited with the invention of the depicted scenes and I. de Vissher with their engraving. These engravings show typical pastoral and historical themes of Flemish art.
Rubens - Human Figure - Page 228 The text identifies the creators of the engravings as I. van Goyen, the inventor, and I. de Vylder, the engraver. These names are noted below the images on the page.
Rubens - Human Figure - Page 229 The text identifies the creators of the images: I. van Goyen as the inventor or original artist, and I. de Vissher as the engraver. It also includes a page number, '5'. These terms indicate the contributions to the creation and production of the artwork on the page.
Rubens - Human Figure - Page 230 The text credits the creation and production of the images to two individuals, with I: van Goyen as the inventor and I: de Visscher as the maker. These brief inscriptions indicate the collaborative nature of image creation during this period in art.
Rubens - Human Figure - Page 231 The text credits J. van Goyen with creating the original design and I. de Vischer with executing the engraving. This information accompanies the illustrations on the page. The page is part of a historic book on artistic theory by Peter Paul Rubens, translating concepts for understanding and creating human figures.
Rubens - Human Figure - Page 232 The inscriptions refer to the creators and executors of the artworks. Van Goyen conceptualized the top pastoral scene, while de Visscher engraved it. The lower image is titled "Ancient Tomb," illustrating a classical architectural structure.
Rubens - Human Figure - Page 233 The text credits the artwork to I. van Goyen as the creator and I. de Visscher as the engraver, with further engraving work by Chassel. These details accompany two engraved illustrations on the page.
Rubens - Human Figure - Page 234 The text identifies Jan van Goyen as the inventor of the compositions and F. de Vissher as the engraver. The engravings illustrate typical life scenes along a river and a pastoral landscape. The terms "inventor" and "fecit" indicate the original designer and the engraver of the images respectively.
Rubens - Human Figure - Page 235 The engravings are credited to I van Geijen as the inventor and I de Vylder as the artist who executed the work. Both feature rural landscapes and scenes of daily life in nature.
Rubens - Human Figure - Page 236 The text indicates the creators of the engravings: I van Oyen, who designed the work, and I de Witte, who created it. These terms highlight their roles in producing the artwork, typical of historical art books showing attributions.
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The text describes a work by Pierre-Paul Rubens titled "Theory of the Human Figure," focusing on the principles of drawing and the human form. It includes details about the publication, engravings by Pierre Aveline, and the binding, as well as information on the contents, such as numerous examples of human anatomy and various art subjects. The bookstore details and further publication information are also included.

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The text discusses the unsuccessful attempts to reform justice due to Louis XV's death, with Louis XVI restoring old parliaments. It mentions Maupeou, the last chancellor. Additionally, it provides information about Picard's bookstore, highlighting their comprehensive stock of old and modern books and their ability to source books on request.

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This record is a bibliographic entry for a book titled "Theory of the Human Figure," written by Peter Paul Rubens. The book, published in Paris in 1773, contains 44 plates engraved by Pierre Aveline and is based on Rubens' designs. It discusses principles of the human figure both at rest and in motion, translated from Latin.

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This document is a bibliographic record for an item in library holdings, marked with record number #8597008. It includes purchase information, indicating it was bought from Librairie PICARD in 2008 and funded by the Betty Rosenberg fund, then given to Jain Fletcher. The record contains standardized cataloging data and timestamps.