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dePas - First Part - Page 150 The image is labeled with the Roman numeral 'VIII', indicating its sequence in a series. This engraving is part of a historical book showcasing human anatomy for artists. It demonstrates techniques for proportion and detail in drawing.
dePas - First Part - Page 151 The text simply states 'IX', which likely refers to a figure number, as part of a series of illustrations in an art manual. It is part of a larger educational context about drawing and painting techniques.
dePas - First Part - Page 152
dePas - First Part - Page 153 The page features the Roman numeral "IX," possibly indicating a chapter or section number. There is no additional text present, focusing instead on the detailed artwork.
dePas - First Part - Page 154
dePas - First Part - Page 155
dePas - First Part - Page 156

The text simply reads 'XIII', indicating the number of the image in a series.

dePas - First Part - Page 157 The page includes the number 'XIV' and features a detailed engraving of a nude figure. It is part of a book teaching drawing techniques, focusing on the portrayal of the human body. The image is meant to provide reference for studying anatomy.
dePas - First Part - Page 158
dePas - First Part - Page 159

This page contains the plate number XVII from an illustrated series. There is no further text to summarize.

dePas - First Part - Page 160 The only text on the page is the roman numeral 'XVII', indicating the page number or illustration number.
dePas - First Part - Page 161 The only discernable text in the image is "XIII," which likely indicates the page or illustration number.
dePas - First Part - Page 162

This text, addressing the art of design and painting, focuses on dressing figures in garments using a wooden model. It explains the use of a wooden mannequin as a practical tool to study proportions and posed garments in art, avoiding the fatigue of live models. The manuscript also outlines the importance of understanding light, shadow, and materials to accurately design clothing drapery in portraits and historical compositions.

dePas - First Part - Page 163

This is a continuation from previous sections aiming to educate on the precise depiction of human figures. It discusses necessary techniques and tools for achieving accurate proportions, suggesting methods to replicate Italian Masters' accuracy. The text stresses the importance of careful painting to achieve realistic models using various tools and measurements.

dePas - First Part - Page 164 The text is a section about the techniques of dressing and posing figures in art, using mannequins to study draperies. It instructs on the benefits of using a wooden model, or mannequin, to represent clothing and dynamic poses in a stable manner for art and includes advice on proportion and the depiction of figures. The content aims to guide artists in enhancing their work by utilizing mannequins for posed studies.
dePas - First Part - Page 165

The text describes the artistic techniques used in the depiction of human figures, focusing on proportions and the use of manikins. It provides guidance for artists on how to achieve realism and how various nations have adopted these methodologies. The use of perspective and lighting is highlighted to make figures appear more lifelike.

dePas - First Part - Page 166 The text provides different translations for a wooden mannequin used for artistic studies. It refers to the model as both a machine and a representation of the human form. This mannequin serves as a foundational tool for understanding human anatomy in art.
dePas - First Part - Page 167 The image contains three lines of text instructing to apply certain artistic techniques, involving the use of a hat with a specific tool and shading supported by an unspecified element. The text seems to guide specific drawing actions for the depicted figure.
dePas - First Part - Page 168 This is an image from a historical art book, showing detailed human anatomy. The illustration serves as an educational tool in drawing and painting for understanding posture and drapery.
dePas - First Part - Page 169 The page features an illustration of three robed figures in classical poses, showcasing a study of fabric and posture. The image aligns with the instructional content of the book, which aims to teach artists about drawing the human form. This reflects the 17th-century emphasis on detailed and dynamic representation in art.
dePas - First Part - Page 170 The text identifies the image as the work of Joseph Arginas, with the Roman numeral 'V' possibly indicating a page or section number. The artwork is part of a detailed illustration, potentially related to artistic guidance in the book.
dePas - First Part - Page 171 The text mentions 'Generosity' as the focal theme of the scene, set in a classical style from Rome by Joseph Arpino. The image features a seated figure personifying the virtue of generosity, marked with a numeral VI.
dePas - First Part - Page 172
dePas - First Part - Page 173 The page features Roman numeral VIII, suggesting its place in the sequence of a book. It contains an illustration of a woman actively engaged in drawing or art, reflecting the book's theme of instructing readers in artistic techniques.
dePas - First Part - Page 174 The page is marked with the number IX. An engraving of a woman in formal attire is the central illustration.
dePas - First Part - Page 175

The page includes the Roman numeral 'X' at the bottom. The focus is on the engraving of a woman holding a sphere, with additional objects suggesting a scientific or artistic theme.

dePas - First Part - Page 176 The text is a poetic tribute to "Flora," likening her eyes to the Sun and describing her ability to warm cold hearts. This suggests admiration for her beauty and spirit.
dePas - First Part - Page 177 The text is a poetic expression, describing a person who feels touched by the love of Coisdonis, comparing it to flames in a beloved city. It reflects a romantic or passionate sentiment that emphasizes the connection felt despite rustic surroundings.
dePas - First Part - Page 178 The engraving portrays Mars, the Roman god of war, accompanied by a cherub. The text questions why Mars, known as the father of the Aeneads and connected to Priamea, would take up arms contrary to his prior peaceable engagements. It credits the painting to I. Hondius and the publication to C. de Pas.
dePas - First Part - Page 179 The text refers to Venus, who is depicted as protecting the human race by providing them with weapons and sweet liquid, likely symbolizing life and sustenance. The image and text capture the divine protective and nurturing role often linked to Venus in classical mythology.
dePas - First Part - Page 180 The image includes a passage from Psalm 48, urging praise for God as the King of all the earth, accompanied by an engraving illustrating a man playing the harp, emphasizing the theme of musical worship.
dePas - First Part - Page 181 The text is a Latin phrase, "Here full of grace, the Lord is with you: blessed are you among women." It is a religious phrase often associated with Mary, the mother of Jesus. The artwork complements the religious and spiritual theme with an angelic figure.
dePas - First Part - Page 182 The text is a passage from the Gospel of Luke, known as the Magnificat, expressing praise and joy in God's saving grace and humility. It notes the humility of the servant, implying a biblical or saintly figure. The engraving is credited to A Bloemaert and was created by Crispijn de Passe.
dePas - First Part - Page 183 The text is a Latin excerpt from the biblical 'Nunc dimittis,' where the speaker is ready to depart in peace according to God's word, referencing the Gospel of Luke. The artwork was designed by F. Bloemaert and executed and published by Crispijn de Passe.
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dePas - First Part - Page 185 The page features minimal text, simply showing the identifiers "NN C20." It primarily consists of detailed engravings of two women. Their hairstyles and attire are typical of the 17th century, focusing on the intricacies of texture and profile.
dePas - First Part - Page 186 The text refers to tables drawn by Joseph, described as merciful, with some direct references to Jacomo Palma. It implies a connection between the creator and the artistic depictions.
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dePas - First Part - Page 188 This page contains two detailed engravings titled "Images." The engravings feature young people in contemplative poses. The artwork highlights expression and detail typical of historic drawing styles.
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The text consists of the Roman numeral XXV, indicating a page or figure number. It translates to 25 in English.

dePas - First Part - Page 191 The image includes a small number "26," possibly referencing a page or figure number. The main focus of the page is the illustrated drawing.
dePas - First Part - Page 192

The single numerals "XXVII" are the only text present, suggesting the 27th figure or page of the book. The image itself is illustrative and provides insight into the historical style and teaching methods of the book. The page is likely focused on human figure study or art anatomy practice.

dePas - First Part - Page 193 The image features the number "12" possibly indicating a page or illustration number. No additional explanatory text is present.
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dePas - First Part - Page 195 The page features the Roman numeral "XXX," indicating page or figure number thirty. The content is primarily visual, showcasing a detailed illustration related to art and anatomy.
dePas - First Part - Page 196 The text is a poetic inscription accompanying an illustration. It mentions that the speaker's strings, likely of a musical instrument, are well maintained, and that with help, everything goes best. The text hints at both practical and metaphorical assistance.
dePas - First Part - Page 197 The image contains Dutch text describing graceful figures of women depicted by A. Blomaert and published by F. de Wit. It aligns with the historical context of illustrating human figures as outlined in the book's theme.
dePas - First Part - Page 198 The number 53 is visible on the page. The presence of this number suggests a possible page reference or chapter indicator in the context of the book.
dePas - First Part - Page 199 The image is labeled with the number '34'. Three female figures are depicted displaying different poses, likely illustrating drawing techniques related to body posture and clothing folds.