The text introduces the fifth part of a treatise on the representation of four-legged animals in art. It discusses the depiction of these animals with precise measurements, proportions, and foreshortening techniques, crafted by various expert artists. The emphasis is on naturalistic representation through the skills of multiple masters.

This section discusses the method of drawing horses using geometric principles, specifically with the use of compass and grids. It details dividing a square into nine parts and using these divisions to ensure proportional accuracy. The text provides specific instructions on how to place and proportion different parts of the horse, including the head.

This text provides detailed instructions on drawing horses in perspective. It explains the geometric principles and techniques necessary for depicting a horse from various angles, specifically from the front and rear. The instructions include creating rectangles and arranging squares to guide the proportions and orientation of the horse's features.

The text provides instructions for drawing a horse with accurate proportions using freehand techniques, without relying on tools like a compass or measuring devices. It emphasizes memorizing proportions and using geometric shapes to guide the drawing process. This method is aimed at artists drawing from nature, highlighting creativity and efficiency.

The text discusses the challenge of drawing horses accurately, emphasizing the importance of understanding anatomy. It warns against focusing too much on the external appearance and encourages using anatomical studies for realistic depiction. Furthermore, it suggests that the muscles of horses should be observed and memorized for better representation in art.

The text describes the anatomy of a horse from the rear view in various languages, emphasizing the visibility of muscles and nerves. It explains the mobility and variability of certain parts, marked as A and B, particularly during walking. The descriptions mention the extension and contraction of muscles and the addition of details such as feet and legs for a comprehensive understanding of horse anatomy.

The text elaborates on the aesthetic and structural features that define the beauty of a parade horse. It offers guidance for portraying horses artistically, emphasizing proportions, stance, and features like the head, eyes, and mane. The descriptions underscore how horses, alongside humans, represent perfection in beauty among animals.

The text discusses a model of half a horse drawn by Rolando Zavarì. It aims to teach youth how to better understand and represent horse anatomy, such as muscles and veins, through larger illustrations. Different languages on the page repeat similar instructions emphasizing how larger depictions help reveal subtle anatomical details.

The document provides guidance on drawing a running horse in three different descriptions across Italian, French, Dutch, and German. It emphasizes the observation of the horse’s leg positions and the prominence of certain muscles on the body, referencing specific areas like the back, shoulders, and neck. The text concludes that practical experience is crucial for mastering the technique.

The text discusses techniques for illustrating a horse in motion, focusing on the visibility and position of the muscles during a jump. It describes how to position a horse's body parts for an effective depiction, with the muscles marked for clarity. The content is written in Italian, French, Dutch, and German, reflecting a comprehensive approach to art education regarding muscle movement and structure in dynamic poses.

The text provides a method for drawing a cow in profile and from various angles by dividing a square into smaller measured parts. It describes specific measurements for different sections like the head, belly, and legs, employing similar techniques used for depicting horses. The technique emphasizes balancing proportions and conveys a sense of realistic motion.

The page is labeled "XIII" and features detailed anatomical drawings of a cow from different angles. There is no additional text present.

The text below the images simply reads 'XVII.' which is a numeral indicating the plate number of the illustrations.

The text in the image credits R. Sauey for drawing and Ro. de Voust for sculpting or engraving the images. There is no other detailed textual content provided in this image.