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| Lairesse - Principles - Page 65 |  | The text includes figure numbers and labels corresponding to a series of diagrams showing steps in a drawing method. These steps involve using anatomical reference points, labeled A to K, to guide artists in constructing a head. The images provide both schematic and realistic views of skull anatomy for educational purposes. |
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| Lairesse - Principles - Page 85 |  | The text is a Latin dedication to Sir Sacchelo Servo, Duke of Bavaria, dated 1524, highlighting his commendable attributes and deeds. It praises his role in marking off letters and emphasizes his contributions to literature and scholarship. The inscriptions reflect the artistic and intellectual admiration of the Duke by E. Eshus. |
| Lairesse - Principles - Page 86 |  | The text is a poetic tribute to Clio, the muse of history, who ensures that the deeds of leaders and heroes are remembered and endure over time. It emphasizes the preservation of history through storytelling, allowing heroic actions to be immortalized and protected from the ravages of time. |
| Lairesse - Principles - Page 87 |  | The text is about Thalia, the Muse of comedy, who delights in laughter and love following banquets. It also mentions jocular battles in a meadow and implies playing childish games in silence. Thalia's association with festivity and artistic inspiration is highlighted. |
| Lairesse - Principles - Page 88 |  | The text is a Latin inscription referring to Melpomene, the muse of tragedy, along with characters from Greek mythology like Thyestes, Procne, Electra, and Eryphila. These figures are associated with tragic and painful narratives. The inscription evokes elements of Greek drama through imagery of the tragic boot (cothurno). |
| Lairesse - Principles - Page 89 |  | The text below the image is a Latin inscription referencing Terpsichore, the Muse of dance and choral song, with a symbolic mention of her playing a lyre. It praises the eternal and soft charms of music, highlighting its emotional impact and ability to stir tender emotions. The invocation of Greek mythology reflects the artistic and poetic tradition of the time. |
| Lairesse - Principles - Page 90 |  | The text praises the Muse Polyhymnia, known for her eloquent speech and graceful gestures. She is depicted as the source of rhetoric and song, enhancing her status among the muses. This depiction highlights her joyful nature in singing hymns and paeans. |
| Lairesse - Principles - Page 91 |  | The text references Euterpe, the Greek muse of music, highlighting her musical talents with the flute. It mentions her connection to Aganippe and the inspired tunes that lead the knowledgeable path. This poem blends mythology with the artistic theme of musical inspiration. |
| Lairesse - Principles - Page 92 |  | The text is in Latin, describing a figure named Callirhe who uses a compass line to determine the world. It includes poetic references to Erato delighting in Phoebus' song, and the wind directions Eurus, Boreas, and Notus, which relate to subtext about navigation and the classical elements. |
| Lairesse - Principles - Page 93 |  | The text accompanying the image describes Urania, the muse of astronomy, illustrating her role in showing the movements of the heavens and stars. It poetically references various celestial phenomena, including Venus, Orion, and comets. These elements emphasize the importance of celestial understanding in art and science. |
| Lairesse - Principles - Page 94 |  | The text is a meditative contemplation on youth and beauty, referencing Venus and Mary Magdalene. It contrasts the allure of earthly pleasures with spiritual transformation. The engraving was made in 1609 by C.R. |
| Lairesse - Principles - Page 95 |  | The text translates a Latin biblical verse, "Hail, full of grace, the Lord is with you: blessed are you among women," from Luke 2. The passage is part of the angelic salutation to Mary. The scene likely represents the Annunciation. |
| Lairesse - Principles - Page 96 |  | The text is a Latin biblical excerpt from the Magnificat, spoken by Mary in the Gospel of Luke. It expresses Mary's joy and humility as she acknowledges the greatness of God and her role as His servant. The passage highlights the idea of future generations recognizing her blessedness. |
| Lairesse - Principles - Page 97 |  | The text is a poem describing Saint Peter's denial of Christ after the rooster crowed three times. It reflects on his solitude and eventual acceptance in the presence of the Lord. Saint Peter is acknowledged for his significant role in Christianity. |
| Lairesse - Principles - Page 98 |  | The text is a confession by Zacchaeus, acknowledging his sins and expressing a willingness to give his wealth to the poor. It reflects themes of repentance and redemption. This scene is likely inspired by the biblical story of Zacchaeus. |
| Lairesse - Principles - Page 99 |  | The text beneath the illustration describes King Saul's journey of ignoring prophet Samuel's laws, waging war with many faults, and ultimately realizing his responsibility. It culminates in Saul's act of killing himself, reflecting on his struggle and leadership failures. The translation notes further explain the historical and literary context, emphasizing Saul's tragic end and his symbolic actions. |
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